The chance involved in the ceramic process is very dear to me. Cracks and flaws are divine interventions and I welcome them to play a central role to the final ceramic output.
I work with Nordic (Nordjysk) Iconography – an artistic category which I’ve invented. I combine biblical as well as intuitive motifs with tiny, strong text bits from the Bible and from the oeuvre of hymn writer Simon Grotrian (1961-2019). In 2022 I’ve started contemplating to use English text. The brilliance of Simon Grotrian however is in the ambiguity which requires a lot from the translator.
Continuously exploring Nordic (Nordjysk) Kintsugi, the art of repairing, uniting, with gold.
